Oyster River Pages publishes fiction, poetry, creative nonfiction, and visual art. We search for and champion underrepresented voices. To find out more about ORP please go to: https://www.oysterriverpages.com/
See below for guidelines and deadlines for any active opportunities and special issues. Submissions for our annual issue will re-open on January 15, 2025.
*If you have not heard back from us regarding your submission, we may be considering your piece for publication. Please do not send duplicate submissions. If you receive a decline or are waiting to hear back, please wait until the next submission cycle before submitting again. Thank you!*
Have you ever looked at the sky on a pleasant morning and thought you saw a cloud that looked like a giraffe or a tree? Have you ever ordered pizza and thought it was smiling at you because of the placement of pepperoni and bell pepper? If so, you have experienced apophenia.
In psychology, apophenia is defined as the tendency to perceive a connection or meaningful pattern between unrelated or random things or events. This can be visual perception, like in the examples above, or otherwise. It can be a tune your protagonist picks up on in the steady ticking
of the clock, a scent that brings back childhood memories for no particular reason, or a face they recognize in an inanimate object like a rock. Apophenia is not limited to sensory input; it can also be conceptual in nature. Does your character feel more confident that their basketball team will win the upcoming match because they've achieved a winning streak over the past month? Does your narrator receive news of death on the days they check the time at exactly 9:13? Does your character wonder why the description of the missing person being reported on TV sounds exactly like them?
In a world that's becoming increasingly chaotic and confusing, it's normal for humans to try to latch onto meaning wherever we can find it. While this may sometimes lead to the formation of inaccurate associations, we believe they're still worth exploring. We are looking for work that explores the psychological complexity that arises from simple, everyday encounters. We want work that showcases how even the most mundane reality, when filtered through the human mind, can have a touch of the speculative.
***
Your submission should be a previously unpublished work of fiction no longer than 6,000 words in a .doc or .docx format. It can be single-spaced or double-spaced, as long as the font is Times New Roman, size 12.
Simultaneous submissions are welcomed and encouraged, but please make sure to withdraw your submission immediately if it gets accepted elsewhere. We request first serial rights, after which all rights revert to the author.
Please include a brief author bio, of around 60 words, with your submission. We are especially on the lookout for diverse voices and work from historically marginalized creators, so we invite you to self-identify in your cover letter if you feel comfortable.
The Welsh word hiraeth has no exact English translation, but it encompasses a feeling that every one of us experiences at some point in our lives. Hiraeth is associated with a longing for something or someone, similar to homesickness. It evokes a deep sense of nostalgia that forces us to become aware of something missing in our lives. In a world in which our political, technological, social, economic, and emotional landscapes are changing every day, hiraeth quickly becomes—despite its vagueness—a feeling that grounds us all.
In creative nonfiction, Oyster River Pages is looking for essays that harness the feeling of hiraeth through commentary on a physical or emotional place or state of being from the past. Examples may include essays on the topic of generative AI and its effects on ownership and creativity, the longing for a person once known, or personal accounts of displacement. Strong essays won’t be afraid to dive deep into sentiments of longing and nostalgia, provoking thoughtful reflections on experiences that invoke that strange, intangible feeling of absence.
***
Your submission should be a previously unpublished work of fiction no longer than 6,000 words in a .doc or .docx format. It can be single-spaced or double-spaced, as long as the font is Times New Roman, size 12.
Simultaneous submissions are welcomed and encouraged, but please make sure to withdraw your submission immediately if it gets accepted elsewhere. We request first serial rights, after which all rights revert to the author.
Please include a brief author bio, of around 60 words, with your submission. We are especially on the lookout for diverse voices and work from historically marginalized creators, so we invite you to self-identify in your cover letter if you feel comfortable.
ORP is accepting submissions for reviews, interviews, profiles, commentary, or other innovative forms (including multimedia) that seek to highlight or critically engage with issues or works of literary, artistic, or cultural significance. The most compelling Soundings submissions will align with ORP's mission to amplify stories that speak to what it means to be alive in this world, works that move of out of ourselves and into other spaces, and voices who bring balance and diversity to historical institutions of power. For these reasons, we prioritize works that are published or produced independently, without the clout of corporate promotion. We are especially eager to publish pieces that engage with the work of marginalized and decentered people—Black and Brown creators, LGBTQ+ creators, and creators of all levels of dis/ability.
Reviews need not be uncritically positive, but predominantly negative reviews will be evaluated for necessity and/or urgency. If you aim to eviscerate the subject of your review, please ask yourself whom your critique serves. ORP is not in the business of strafing the creative community.
There is no predetermined length requirement, but successful Soundings will exercise brevity and a sense of proportion to the content they engage with.